Chicago School (1905-1920)

History

The Chicago School, or Style, takes its name from the Chicago architects of the 1880s and 90s who took the heavy Richardsonian Romanesque warehouse and developed from it the beginnings of the modern skyscraper. Height being an ingredient of the style, it is often called the Commercial style because of its use for office towers. In Chicago, rising costs of urban real estate and the introduction of elevators had encouraged vertical building construction. New, turn-of-the-century construction techniques, such as steel framing and reinforced concrete, opened the thick masonry walls, boldly and clearly expressing the new materials. Notable among these Chicago architects was Louis Sullivan (1856-1924) who developed a more ornate, powerful high-rise vocabulary with classical overtones, called Sullivanesque.

Characteristics

  • the skeletal construction is expressed through flat roofs, straight fronts, and regular window arrangement
  • windows are normally rectangular and the area of glass can exceed the solid wall material
  • there can be a balance between the vertical and horizontal emphasis of the windows and walls
  • in its severest form, detailing is non-existent or clearly subordinate to the structural and window pattern
  • when used, ornament can take the form of classical, Gothic, Romanesque, Renaissance, Sullivanesque or Art Nouveau decoration
  • terra cotta or plaster is often used for low-relief sculptural ornamentation in cornices, spandrels, doorways and labels
  • in buildings influenced by Louis Sullivan there is a vertical emphasis and an underlying classical Composition with ground floor as base, top floors as capital and the middle storeys as the shaft of a grand column
  • in Sullivan-inspired buildings the cornice is elaborately detailed and boldly projecting
  • Sullivanesque detailing is naturalistic or stylized foliage design, predominating in lacy repeating motifs